A QUIET PLACE: DAY ONE — Fruitcake Enterprises

Directing: B
Acting: B+
Writing: B-
Cinematography: B
Editing: B
Special Effects: B

A Quiet Place: Day One is a serviceable science fiction thriller, which suffers by standing in the shadow of John Krasinski’s original and great A Quiet Place (2018), and its sequel that was nearly as good, A Quiet Place Part II (2021). The sequel has its own incredibly exciting opening sequence set during “Day One,” and it has more finesse than all of A Quiet Place: Day One, except that it’s just fun to return to this world, now in the setting of New York City.

We get opening title cards telling us what decibel the average noise level of New York City is, and that it’s equivalent to “a constant scream.” This is never spelled out explicitly. but the subtle implication is that this makes New York the primary target area of these predatory alien creatures that prey on anybody that makes noise.

I was relatively entertained by this movie, but I do have a lot of nitpick questions—at least one of which actually extends back to the opening scenes of the 2018 original film. In that movie, we see abandoned stacks of what look like the New York Post, with ironically screaming headlines that read, IT’S SOUND! At what silent printing press were these newspapers printed, I wonder?

In Day One, the discovery of how the alien creatures hunt happens astonishingly quickly. It’s set on the first day, right? No, wait—spoiler alert!—it does go through at least Day Two. The primary character we follow here is Samira, a terminally ill woman played by Lupita Nyong'o. She’s been granted a field trip into the city from her hospice clinic, and this is when the alien meteorites start crashing to the ground, and then mayhem ensues when the creators attack. Samira is blown against a glass wall by the force of an explosion and knocked unconscious. When she wakes up, apparently by magic, every human alive already understands that the way to protect themselves is to be quiet. Helicopters flying overhead shout through megaphones that “the attackers” can’t go into the water. All of this was apparently ascertained in a matter of hours, during which everyone alive would just be in a state of panic.

I have a lot of questions about these alien creatures, which apparently have no idea how much they owe their very existence to the Alien franchise. The predatory animal behaviors and reproductive practices of the “xenomorphs” in that franchise are made clear early on, though, and they make sense. The creatures in A Quiet Place hunt based on sound, that much is clear—but, to what end? We see them slash through people and snatch them, but we never see them eat people. Are people food to these things, or what? What bought them to Earth to begin with, anyway? How did they travel through space? Who designed the spacecraft, if all these guys know how to do is attack humans?

Day One is the first of these films not to be directed by John Krasinski, although he does get a story credit on the script. This film is otherwise written and directed by Michael Sarnoski, whose previous feature film was Pig, an unusually great acting showcase for late-career Nicolas Cage. The script here gives us an unprecedented glimpse into the alien creatures’ natural behaviors, a scene in which they pull open what look like eggs of some sort. But instead of hatching, the creatures open these pods and feast on their contents. We are given no context for this at all, no sense of what is actually happening there or why.

By the way, Samira has a cat, which she takes around with her everywhere, on a leash. The cat’s name is Frodo, and apparently Frodo is one of those rare cats, quite conveniently, who never meows. He runs off during chaos more than once, but he never gets lost. He’s less a cat than a convenient plot device. He captivates a random dude named Eric (Joseph Quinn) who winds up being the second lead of the film.

It doesn’t sound like I enjoyed this movie very much, does it? This is one of those movies I’m not sorry to have seen, that engages me just as much as it means to, but at which I cannot help but ask a great many nitpicky questions. It’s amusing to think of Samira, whose terminal illness changes the stakes of her fate as compared to everyone else around her, on a quest through New York City for one last meal of Patsy’s Pizza. Samira, Eric and Frodo walk deeper into the abandoned city while the other people still alive are making their way toward boats evacuating the city.

Among these people is Henri, the character played by Djimon Hounsou who was also featured in A Quiet Place Part II, the one clear strand of connective tissue between this and the previous two films. He even talks a bit about the boat evacuation in Part II, though a lot of what plays out in Day One doesn’t quite match the descriptions provided by characters in the other, definitively better movies.

A Quiet Place: Day One features a lot more action sequences than the other films, which relied much more on suspense—but, Day One also ratchets up the tension effectively in its own way. I did find myself wondering why we should care about these particular characters as opposed to anyone else barely escaping the city with their life. I suppose the terminal illness is a relatively clever conceit, in how it drastically changes the character’s motivations.

Ultimately, though, I’d have to say that A Quiet Place: Day One is really only for the franchise diehards. I never saw the first two films in theaters because I was afraid to; I literally saw them both for the first time only last month—and then was incredibly impressed by both of them. If you’ve never seen the others and you start with this one, it would just be a compelling but standard alien invasion action thriller, albeit with very good performances. If you have seen the other films, you’ll spend a lot of time thinking about how much better they both were.